The Invisible Realm is the artistic brand and studio of Felipe Posada, a visual artist and creative director whose work bridges fine art, branding, and visual storytelling. Born in Colombia and based in New York, Felipe’s practice merges classical symbolism with digital surrealism, crafting images that blend the mystical and the modern.
His creative career spans two decades across multiple disciplines, including design, advertising, and editorial art direction. Felipe’s distinctive visual language has attracted collaborations and commissions from leading publications such as Elle, Allure, and Vogue (Japan, Turkey, China). Parallel to his commercial practice, his personal artworks have been featured in numerous exhibitions across the United States, including solo and group shows in New York City, Los Angeles, and Texas, where he has exhibited alongside notable contemporary artists such as Saint Hoax, Le Fauves, Tony Futura, and Dromsjel.
In 2020, Felipe’s Edge of Reality series—launched through Guy Hepner NYC and curated by The TAX Collection—brought his vision to an international audience, shipping limited editions to collectors around the globe.
As The Invisible Realm, Felipe continues to explore the intersection of science, metaphysics, and emotion through digital composition. His works are gateways into the subconscious—balancing intuitive symbolism with refined visual structure. The brand functions as both a personal studio and a conceptual universe: a space where art, philosophy, and technology converge to illuminate the unseen dimensions of human experience.
My artwork is a journey through the invisible realm: a dimension where intuition, memories, visions and dreams take visual form. Through my art I revisit concepts that have fascinated me, scared me and intrigued me since I was a child. The results, deceivingly deep, are compositions filled with symbolism and hidden meaning. Topics such as metaphysics, mythology, space exploration, sacred geometry, anthroposophy and quantum physics can often be found in my work, sometimes infused with a dash of retrofuturistic nostalgia and mixed in with the inevitable influence of pop culture that engulfs us.
Therefore it is valid to say that my work relates to my own existence but it also makes part of a greater conscience ...or to be more precise, to the collective unconscious.
