SlimeSunday Split Ends,, 2024

In Split Ends, 2024, Slimesunday transforms the act of censorship into a sculptural statement on consumption, fragmentation, and control. The work presents a photographic image—partially shredded beneath the black plastic bar of an office paper shredder—revealing only fragments of a human form and bright, tactile textures. The composition oscillates between destruction and creation, blurring the line between digital manipulation and physical intervention.

With his trademark blend of surrealism and critique, Slimesunday exposes the tension between voyeurism and erasure in the digital age. By physically distorting an image that evokes intimacy, the artist confronts the viewer with questions about ownership, exposure, and the commodification of the body in online culture. The shredding mechanism becomes both a literal and metaphorical filter—representing the forces that distort, censor, and repurpose human imagery for mass consumption.

Split Ends stands as a striking example of Slimesunday’s ability to merge concept, material, and irony. Equal parts sculpture, collage, and critique, it turns the aesthetics of destruction into a haunting reflection on what it means to exist—and be seen—within an endlessly edited world.